Culinary Crutches

Met Chef Imitiaz Qureshi today.  What a guy! Very authentic and knowledgeable about Awadh style cooking.

Listening to “There she goes” by Taio Cruz.  Here is my last Mint column

The Good Life | Shoba Narayan

 Two years ago, Olive Beach, a restaurant in Bangalore, made a special tasting menu for a group called The Bangalore Black Tie, of which I am a member. Typically, these are off-menu dishes that the chef specially crafts for the group, paired with wine. Each member pays a fixed price. What was unusual about this meal was that the chef, Manu Chandra, had made it vegetarian. Not just that, he had used Indian ingredients such as drumstick, jackfruit, lotus stem, and even bathua, a local green, if memory serves me right. That’s the thing: memory; food memory; the thing I obsess about.

What makes a meal memorable? The element of surprise makes for a memorable dining experience: paan shots at the Pink Poppadom restaurant at the Ista Bangalore; sake bombs at Edo in the ITC Gardenia; Brahmi juice for Sunday brunch at The Gateway Hotel are some from recent memory.

Eat, experiment: You are bound to be surprised by the results. (F Poincet/courtesy Shangri-La hotel, Paris)

Eat, experiment: You are bound to be surprised by the results. (F Poincet/courtesy Shangri-La hotel, Paris)

For professional restaurateurs and chefs, introducing the element of surprise is tricky because the spontaneous creativity that leads to surprise goes against the cardinal rule of a restaurant kitchen: consistency. Customers come back because they like your grilled fish or Chettinad chicken. Change the recipe and you may incur their wrath.Amuse-bouches are one great way to ask your chefs to be creative. It is off the menu; can be created on the whim of a particular chef on a particular day depending on what ingredients are available; and it forces chefs to be creative. Another method is to remove a chef’s crutch or cushion. This thought occurred halfway through a sublime vegetarian tasting menu at L’Abeille at the Shangri-La, Paris. The restaurant, named after the bee, which was Napoleon’s favourite emblem, is the signature fine-dining restaurant of this relatively new hotel. Owned by the Kuok family of Malaysia, the hotel has undergone a massive renovation to return it to its original state of being the home of Roland Bonaparte (Napoleon’s grandnephew).

Thanks to an introduction by a French fashion journalist, the restaurant invited me for a free vegetarian tasting a few weeks ago. We had delicate white and green asparagus, which were in season, and several courses of excellent vegetarian dishes. Here’s the thing. I know I enjoyed the meal but I can’t remember individual dishes unless I look at my notes or reach for the photos I took. But there’s one thing I remember right off the bat. The dessert was listed as “exotic fruits and vegetables”.

Oh, come on, I thought to myself. I didn’t come all the way here to eat the fruits I get in my homeland. I don’t want mangoes, pomegranates, or whatever it is that the French consider “exotic”. I want rich chocolate and painstakingly prepared pastries.

The dessert plate was ceremoniously placed in front. Along came a violet—the flower that is; on the plate, among cut fruits. I could eat it, said the waiter. I have never eaten a raw violet flower in a fine-dining restaurant. I have had squash blossom flowers in American restaurants, some of which were deep-fried like a tempura. As a child, I ategulmohar flowers and roses. But I haven’t seen flowers served as part of the meal at any of our Indian fine-dining restaurants. Why not?

Since I am vegetarian, I dined at L’Arpège, in Paris. Most of the vegetables come from chef Alain Passard’s 2-hectare kitchen garden outside Paris. The meal for three cost about €450 (around Rs. 31,050 now). It isn’t cheap, but it was wonderful. I remember several elements about the meal, but the surprising thing for me was how sparingly spices were used.

Every culinary tradition has a signature touch: an ingredient, cooking style or technique that is essential to their notion of what makes a good meal; something they cannot give up. Put another way, every culinary tradition has a signature crutch; something that suffuses their dishes; something that they cannot give up. These are the culinary stereotypes: pasta for Italians; sushi for Japanese; French sauces; Indian spices.

Really great restaurants—and meals—rise above these stereotypes. The way they do this is not by reinventing an entire cuisine, which some do. One way they do this is by removing culinary crutches. So the next time you have to challenge your chefs at a restaurant or hotel, ask them to prepare an Indian meal; or at least one dish; or even just an amuse-bouche—without the usual spices. You, and your diners, may be surprised by the results.

Shoba Narayan is wondering why Indians don’t use our abundant betel leaves to create a dish besides paan. She is chewing on a paan as she writes this. Write to her at thegoodlife@livemint.com


About these ads

About Shoba Narayan

Writer. Author. Freelance journalist. Business Columnist. Travel writer.
This entry was posted in Food Writing, Mint and tagged , , , , , , . Bookmark the permalink.

6 Responses to Culinary Crutches

  1. Aishwarya says:

    shobha -there is this chef jacob – who passed away recently who had acouple of paan recipes including vethilai kuzhumbu and rasam – do check them out…

  2. vinicooksveg says:

    With Indian cuisine, experimentation and re-invention will do wonders! But i think only small part of indians think like that!

  3. R Gorayan says:

    Hmm. Crutches – so crippling!

    I think the trouble is in the “notion of what makes a good meal”. Say I season chicken with paprika and garlic and get tandoori chicken; if I use lemon and rosemary it becomes lemon chicken. Is the tandoori masala a crutch of tandoori chicken? Is ginger a crutch of masala chai? Are the herbes (yep, with the e) a crutch of Provencale cuisine?

    I suppose the broader point – and challenge – was that chefs should try to make a great meal minus the stereotypes; tandoori chicken with lavender and capers or Vita Coco martinis…. But this doesn’t take away from “good butter chicken” or “good vetta kuzhambu” which, these days, an alarming number of chefs simply don’t get right!

    To take a musical analogy – would we say that keys and scales are the crutches of music and that really great pianists should rise above and play jazz?

    Even that, by itself, is low-hanging fruit.

    I think the real crutches are in the notion of “fusion”. We’re still stuck in a sixties and seventies mentality – of pick X from here and Y from there and (occasionally) you get lucky, sort of like the Bombay bhel puri.

    My own hopes are on true “world cuisine”: food unfettered by spices-from-A or sauces-from-B or seasonings-from-C; food that can be enjoyed by crowds and kings alike, without the notions of familiarity or palate-sensitivity or taste-memory.

    In other words, not just food-that-can-break-crutches-and-walk, but food that can FLY.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s